The title of Pygmalion by George Bernard Shaw is drawn from classical mythology. Shaw's actual source was a story found in Ovid's Metamorphoses about the sculptor Pygmalion who had forsworn love of women. He worked on a statue of a woman that was so beautiful that he fell in love with it. He named the statue Galatea. One day he made a sacrifice to Aphrodite, the goddess of love, and she took pity on him and made the statue come alive as a real woman. Pygmalion married Galatea and they had a son, Paphos. They remained devoted worshipers of Aphrodite and the family was favored by her.
Professor Higgins treats Eliza Doolittle as though he were Pygmalion and she were Galatea, attempting to mold her into the image of the perfect aristocratic woman. Eliza, however, is not a lump of ivory or marble, but a smart, strong-willed woman with a mind of her own, who resents being treated as if she were simply the inanimate object of Higgins' craft.
Higgins expresses this concept when discussing Eliza with his mother:
You will jolly soon see whether she has an idea that I haven't put into her head or a word that I haven't put into her mouth. I tell you I have created this thing out of the squashed cabbage leaves of Covent Garden;...
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